Don’t ask Alexander Payne why he’s a “connoisseur of curmudgeons”
Filmmaker admits he’s “a little cruel” to his protagonist in “The Holdovers.”
Fallen Leaves is a surprising crowd-pleaser from a minimalist master
Kaurismäki’s deadpan wit sparkles in 4th working-class “trilogy” film.
Five takeaways from the Beatles’ historic “Now and Then” video
John, Paul, George and Ringo magically reunite for one last song.
Seven ways to fix the “Love Actually” seasonal calamity
Why tolerate and even adore a movie that treats women so shabbily?
Ridley Scott’s “Napoleon” cuts French legend down to size
Napoleon’s quirks and shortcomings feature prominently in the movie.
Is “The Boy and the Heron” really the last Miyazaki film?
Fantastic images, luminous animation and a powerful eco-allegory from Hayao Miyazaki.
“May December” and the sex crime that shocked the world
Todd Haynes seeks to show the humanity behind the headlines.
“The Marvels” is a maddening Marvel misfire
Blockbuster bomb isn’t funny, dramatic, thrilling, profound, interesting or necessary.
"Humanist Vampire" wins top Canadian prize at WIFF
Ariane Louis-Seize’s debut feature takes $25,000 award at Windsor International Film Festival.
