Binge is the New Black: Netflix and Contemporary Cinematic Practices
In his seminal 1971 essay “Technique and Ideology: Camera, Perspective, Depth of Field,” Jean-Louis Comolli calls for a...
Cinematic Identification: Holding a Mirror up to the Spectator through the Theories of Metz and Els
By Emily Howell → If a tree falls in a forest and no one is around to hear it, does it make a sound? Likewise, if a man lives without...